Emotional Structure

Creating the Story Beneath the Plot

A Guide for Screenwriters

 

by Peter Dunne

Emmy and Peabody-Award Winner and Producer

 

 $14.95 ($22.95 Canada) • 244 pages • 6" x 9" • Trade Paperback • ISBN 1-884956-53-X • April 2006

 

 

 

 

About this Book

 

     The leap from concept to final draft is great, and the task is filled with hard work and horrors. It is here that most writers struggle to get the plot right at the expense of the story's real power. The result is a script that is logical in every way, yet
unmoving.
         Emotional Structure, by Emmy- and Peabody-Award winning producer, writer, and teacher, Peter Dunne, is for these times, when the plot fits nicely into place like pieces in a puzzle, yet an elemental, terribly important something remains missing.
         The missing piece won't be found by adding action, you can't stir the soul with a car chase. And the problem won't be helped by a change of location, the only location that matters is deep in your
protagonist.
         The solution is to pay constant attention to the inseparable nature of plot development and emotional development.
         When you create any scene, whether it's a police pursuit on the interstate or a heart-to-heart in the kitchen, the emotional reasoning behind the scene has to be evident. When you develop the emotional current that sustains the action, you create a scene with heart and soul, and you-and your viewers-are going to feel the passion.
         Scene after scene, Dunne (Sybil,
Dallas, Melrose Place, CSI, Jag, Dr. Quinn: Medicine Woman) shows you how to develop the dramatic equilibrium of incident and response, of intellect and emotion that will turn your screenplay's problems into its power.

 


About the Author

 

     Peter Dunne is an Emmy and Peabody Award winning producer, writer and teacher with over 30 years experience in the business. He has held positions of vice-president of development at Viacom, Lorimar (now Warner Bros. TV), and Spelling entertainment. He has written and/or produced the shows SYBIL, DALLAS, KNOTS LANDING, MELROSE PLACE, CSI, JAG, SAVANNAH, NOWHERE MAN, and DR. QUINN: MEDICINE WOMAN among others. He teaches screenwriting at UCLA, offering a 10-week course in Emotional Structure on a quarterly basis and a 4-day intensive workshop every spring. He has recently been invited to instruct and lecuture at Trinity College Dublin, Ireland and The National University of Ireland in Galway.
 

 

 

 

 

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