Pitching Hollywood

How to Sell Your TV and Movie Ideas

 


by Jonathan Koch and Robert Kosberg

with Tanya Meurer Norman

 

$12.95 (19.95 Canada) • 120 pages • Trade Paper

ISBN 1-884956-31-9

 

 

Excerpt

 

 

      It's been said that the definition of a producer is anyone who knows a writer.  I'll take that a step further:  Anyone with a great piece of material can position himself or herself to become a producer!  Just pitch it!
      Understand that pitching is an elusive art, one that is filled with contradictions.  Your potential buyer should find you passionate and wildly enthusiastic about the project, yet credible, well-grounded, and realistic.  Pitches must be short, but not so short as to leave the scene unset.  They must contain all of the pertinent details--but not so many as to lose a buyer's attention.  Wordy Pitches can be boring and counter-productive.  Give the buyer credit.  We have imaginations and can fill in the blanks.  Convey the tone and the spirit of your idea without the words, words, words.  But be aware:   Leaving out key info will create confusion, and you will be interrupted with questions.  As a pitcher, you must appear personable and strong, but you should never initiate deadly, chatty small-talk. The acquiring and fine-tuning of these precise skills is essential. 
       Educate yourself.  Know what you are up against.  The majority of the producers and execs to whom you'll be pitching think they are better at recognizing a great idea than you are and they are certain they know more than you.  On top of that, they have short attention spans and limited time.  Study the art of the pitch, practice it, and learn it.  Your odds for success in this business (and any other) will go up considerably.
 

 

 

 

Save 10%

   

Add both books to

your shopping cart by clicking here to save $2.99!

 

 

 

 
     
       
         
     
         
     
     
 
 

Copyright © 2005 Quill Driver Books/Word Dancer Press, Inc.

559-876-2170 • 800-497-4909 • info@quilldriverbooks.com