Getting Your Book to the Tipping Point
by Stephen Blake Mettee
I was
at the William Saroyan Writer's Conference recently when another
presenter—Jack Canfield of Chicken Soup for the Soul fame—told me
I needed to read Malcom Gladwell's The Tipping Point. People are
always telling me to read this book or that book, but I figured
Jack probably knew a thing or two I didn't so I ordered the book
from Amazon.com and read it on the plane coming and going to sales
meetings in New York City. I think it was probably good use of
what might have been wasted time.
In The Tipping Point: How Little Things Can Make a Big Difference
Gladwell shows that three factors, or "rules" as he calls them,
combine to raise an idea, a trend, or a social behavior to a
threshold that, when crossed, causes that specific idea, trend, or
behavior to spread like wildfire.
Gladwell calls these three rules the Law of the Few, the
Stickiness Factor, and the Power of Context. Gladwell's rules may
be applied when trying to understand why one book and not another
equally as good seems to reach the public's collective
consciousness and becomes a bestseller.
Let's skip first to Gladwell's second rule, the Stickiness Factor.
This rule suggests that something people hear or learn about a
book must be extra memorable, it must be "sticky." This stickiness
is often a minor part of the overall message in or about the book.
For instance, a recent biography of John F. Kennedy breaks the
story that he had an affair with an intern while in office. While
coverage of the affair is only a small part of the biography, it
may well be that the parallel between JFK and a later president's
affair with an intern will provide the stickiness required to make
this book a bestseller.
Gladwell's third rule, The Power of Context, says the current
social environment has to be ripe to embrace a specific principle
or concept.
As I write this, I have on my desk a book proposal by an airline
pilot on what one should do in the event one is a passenger on a
hijacked airplane. Undoubtedly the social environment today is
more receptive to this book's subject matter than it would have
been prior to September 11, 2001.
Gladwell's first rule, The Law of the Few, states that a few
people–the right few people in each instance–have the power to
influence a great number of others. The few's currency is
word-of-mouth, and, as we all know, word-of-mouth publicity is the
best type of promotion a book can receive.
Gladwell breaks these few into three categories, "connectors,"
those who know and are able to spread the word to a large number
of others; "mavens" who are looked to by others for advice; and
"salesmen," who are capable of persuading others to take some
action.
In publishing, the few often come in the guise of reviewers who
write about the books, booksellers who hand sell books they like,
and, perhaps not so surprisingly, the author of the book himself.
So, how can we who want our books to reach the tipping point use
this information? By keeping these three factors in mind when we
are writing and promoting our books.
As you write your book, see what kind of sticky material you can
build into it. If it is a novel you are writing, maybe you can
make the lead character so compelling that he or she becomes the
stickiness factor. Sherlock Holmes, the pipe-smoking,
clue-deducing detective provided stickiness for Arthur Conan
Doyle's mysteries.
If you are still looking for a publisher or agent, mention this
sticky material in your query letter or book proposal. If your
book's due to be published, help your publisher's staff identify
what detail or details about your book are likely to be "sticky"
and suggest that they draw attention to these details in their
catalog, back cover copy, news releases, and other promotional
material.
Take advantage of The Power of Context by selecting a topic for
your book that is currently high in the public's mind. The Big
Seven–money, diet, health and fitness, beauty, relationships, sex,
and power–are always good choices for nonfiction books, but, if
you can find a popular but lesser-mined topic, all the better.
If your book's already written and published, spin or slant your
promotional efforts to take advantage of the current social
environment. For a nonfiction book on family values, talk about
how important mutual family support is in these stressful times.
And finally, take your book to the all important "few." See to it
that appropriate opinion makers such as reviewers, industry
leaders, clergy members, university professors, and other authors
who write in your field or genre know about your book. Do this by
sending them complementary copies or, at the least, copies of
reviews your book has garnered. Get as many print and Web reviews
as you can. Get interviewed on radio and TV shows.
Augment all this by speaking at every bookstore and to every group
that will have you. There is bound to be a connector, a maven, or
a salesman in every audience who will become a word-of-mouth
warrior on your book's behalf.
Reaching the tipping point isn't necessarily easy, but whose book
deserves it more than yours?